View of the Bottom Gate at the Old Port at Nijmegen, John Franciscus Christ Ink and wash over a chalk underdrawing, roughly 9 x 7 in (23 x 19 cm); in the collection of the Rijksmuseum. This early 19th century drawing of the port gars of the Dutch city of Nijmegen is a beautiful example […]
Stewart White did a watercolor demo yesterday at the Plein Air Painting Conference and Expo in San Diego. I did this live portrait as he painted. I was working in rather dim light with the book in my lap, so I used fairly dense mixtures of color and strong contrasts. Show More Summary
The ideal easel rig should meet these six objectives: 1. Get the brushes and the paint palette as close as possible to the painting. 2. Get the painting as close as possible to the line of sight. 3. Make the height and slopes of both surfaces fully adjustable without having to mess with tricky knobs or screws. Show More Summary
Yesterday I listened to a lecture where a professional artist said "You can't paint a landscape without showing the horizon or the sky. Any painting without at least some sky will be oppressive. Stay away from it."That made me want to...Show More Summary
Otakar Lebeda was a 19th century Czech painter whose tragically short life and career have been compared to that of Vincent van Gogh. Lebeda began painting at an early age, and had the opportunity to study at the Academy of Fine Arts in Prague with noted landscape painter Julius Ma?ák. He started out in a […]
Heres a page from my sketchbook yesterday—some gumball machines in a San Diego laundromat. I showed the owner a few pages from my sketchbook and she loaned me a stool to sit on. Her daughter is a budding artist and she watched with great interest and then did a drawing of her own. Show More Summary
We've arrived in San Diego. Not much wi-fi where we are, but we'll try to keep up. This Ankylosaurus is from Dinotopia: Journey to Chandara.
At Spectrum Fantastic Art Live here in Kansas City, we had a fun time talking about portable sketching setups. Then I did a quick demo of a quick paint-sketch technique, thanks to two volunteers who stood looking at their cellphones....Show More Summary
I'm in Kansas City for Spectrum Fantastic Art Live. The artists are all hanging out in the lounge eating tacos and sipping beer. It's fun talking shop with some of the legends of the business, such as Mark English (born 1933), who helped define the world of contemporary illustration that I entered when I started out. Show More Summary
Miguel Angel Moya is a contemporary realist painter originally from Valencia, Spain. Hi subjects include orchestras and musicians, inspired by Moya’s own time as a professional violinist, as well as cityscapes and architectural interiors. In his most recent series, Moya has focused on enigmatic still life of biological forms — mostly sea creatures — suspended […]
I love weird limited palettes. This one is purple, cad yellow deep, raw sienna, and white. (Link to FB vid) From the Metro North app.
Painting the bakery case at a little deli.(Link to video) This is another page from my new Living Sketchbook app, "Metro North" Pick up for yourself.Three versions to suit your device: • App for Apple iOS phones and tablets from the App Store• App for Android devices from Google Play• For laptop and desktop computers, or people with old phones or tablets, a "PDF+ Edition".
Portraits of the professions of florist, writer, musician, and barber, where the faces are composed of the tools of their trades. ----- In the style of Arcimboldo (Wikipedia link) Book on Arcimboldo: 1526-1593See also Nicolas de Larmessin's Grotesques of the ProfessionsVia Public Domain Review
For this sketching adventure, we start out in the barn, where the young chicks are in the incubator box. A year later those same chicks have grown up into laying hens. (Link to Video on YouTube) The pen I'm using for the written notes is a Noodler's Ahab fountain pen with Higgins sepia ink. Show More Summary
Many subjects have a range of whites, none of them pure white.In this diner still life, there's the white paper placemat in shadow, the placemat in light, and the white "PEPSI" lettering painted on the near side of the glass. And then there are white highlights. Show More Summary
(Link to trailer on YouTube) The Living Sketchbook, Volume 2: Metro North app is now available. It's a complete immersion into my recent sketchbook, with high-res scalable images of every page, plus audio commentary and behind-the-scenes videos, all for just $4.99. Show More Summary
Happy Easter! Here's a gouache sketch of some bunnies at the farm. I used a special gouache technique for this one, painting into a wet, dark under-layer, which makes soft edges much easier. The bunny sketch is just one page of the Metro North app, which releases for iOS and Android phones and tablets tomorrow. Show More Summary
I'm standing in the bright spring sunshine, painting a moody night scene. That's because I try to paint both what's in front of my eyes as well as what's behind them. To me, there's something epic and mysterious about a white Lincoln Town car—especially one parked near a trash can and a basement entrance. Show More Summary
Sketching with an LED hat Madill Studio asks:"Hi, James: Speaking of low-light conditions, do you have any observational tips on how to check values in such conditions (think low-lit cafe or similar). Also curious if I get a battery operated lamp for night sketching, what would be a good lumens range?" You're right. Show More Summary
David Farquharson (1839-1907), The End of the Day's Fishing, 56 x 91.5 cm This oil landscape by David Farquharson (Scottish/English, 1839-1907) has a marvelous sense of scale and depth. A few observations: 1. Note the tiny fishermen figures on the right side of the picture. Show More Summary