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The first Bible set in roman type

Sweynheym and Pannartz are credited with introducing printing to Italy via their press at the monastery of Santa Scolastica at Subiaco, outside of Rome in 1465. They appear to have been relatively successful, even sending quite a number of their books to Rome itself. Show More Summary

Walbaum—the Man and the Typeface

I put together a video explaining the development of the Walbaum Antiqua typeface and the style of the modern typefaces. Make sure to turn on HD to see the type specimen images in full resolution. Tweet

Size-specific Adjustments to Type Designs

For decades now, typography has lacked a vital component. Yet most of us had no idea what was missing. Soon after type made the jump from metal and wood to film and digital, it became size agnostic. Users gained the ability to scale a font for any setting, but lost the type maker’s size-specific optimizations. […]

FontCast #18 — John Hudson

After an extended hiatus FontCast is back. The origins of FontShop’s video podcast go back to ATypI’s Typ09 conference in Mexico City. Stephen Coles, back then creative director at FontShop, sat down with some of the key players who were leading the way as we headed into the brave new world of web typography. This [...]

Notes on the first Italic

St. Catherine, bad feet, & the first italic Whenever we think about the invention of the italic typeface we invariably think of the year 1501, when the italic type, commissioned by Aldus Manutius and cut by Griffo, was employed to set a new series of small pocket books, first published in 1501. Aldus, writing to his […] Sponsored by Hoefler & Co. Notes on the first Italic

Why A Better OpenType User Interface Matters

Most users are unaware of the sophisticated typesetting possibilities of today’s personal computers because they have to interact with fonts through a keyboard offering a minimal subset of the character set. It is as if they are looking at their fonts through a keyhole. Sponsored by Hoefler & Co. Why A Better OpenType User Interface Matters

This Month in Typography

Welcome to this month’s roundup of type-related info and entertainment. Today, we dip our toes into some controversial typographic decision making over at Apple; we talk about typography as a societal problem solver (or not); we discuss...Show More Summary

Notes on the first Italic

St. Catherine, bad feet, & the first italic Whenever we think about the invention of the italic typeface we invariably think of the year 1501, when the italic type, commissioned by Aldus Manutius and cut by Griffo, was employed to set a new series of small pocket books, firat published in 1501. Aldus, writing to […] Sponsored by Hoefler & Co. Notes on the first Italic

Letters in Wonderhand

Although I’m always dealing with letters in my work, embarking on a type design project is rather the exception. My main occupation, ‘Lettering’, varies from commission to commission and projects tend to last for short periods of time with widely different outcomes. Show More Summary

New Fonts 1

It’s been a good couple of months for font releases. And there are many more than I could list here (and many more that I am, unfortunately, blissfully unaware of). I can hardly keep up. Anyway, here are eight typefaces (comprising a total 126 fonts) that caught my eye. I no longer do comments on […] Sponsored by Hoefler & Co. New Fonts 1

FontCast #19 — Mark Simonson

FontShop’s David Sudweeks sat with type designer Mark Simonson at TypeCon 2014 “Capitolized” in Washington, DC to talk about Mark’s work from the early days, submitting his first design to the ITC review board by mail in the late 1970s, to his ways of perceiving and working with original design ideas. FontCast #19 — Mark [...]

Global, Local, Social: ATypI Barcelona 2014 (Part 2)

With Typographic Dialogues, the theme of their 58th conference, ATypI (Association Typographique Internationale) invited type and design aficionados from all over the world to Barcelona. The presentations on day 2 concentrated primarily on education. While in part 1 of my review you can discover some of the more technical talks given at BAU Design School [...]

Global, Local, Social: ATypI Barcelona 2014 (Part 1)

The 58th annual conference by the Association Typographique Internationale (ATypI) from September 17 to 21, 2014, was held in Barcelona – for the third time in the history of ATypI, after 1972 and 1995. It was a great experience. With this year’s theme, Typographic Dialogues, ATypI invited students and professionals to participate in a delightful [...]

This Month In Typography

Welcome to this month’s roundup of type-related info and entertainment. Today, we learn some important typographic pronunciations, figure out how to work with layered web fonts, watch Mark Simonson talk about offset lithography, revisit...Show More Summary

Why A Better OpenType User Interface Matters

Friday evening, September 19th. We are in Barcelona at the annual ATypI conference. The last session of the day is winding down – Building the perfect what?, an excellent panel discussion moderated by industry veteran and award-winning typeface developer David Berlow. Show More Summary

Better UI for Better Typography

Designers ask Adobe for a better user interface for type The introduction of OpenType fonts in 2000 offered designers a rich and sophisticated typographic repertoire. The number of fonts that support these typographic features has grown exponentially over the years. Show More Summary

The First Female Typographer

In the fifteenth century women had few career opportunities. Few, bar those in the higher social echelons were even sent to school, and women were not admitted to universities (Oxford university didn’t permit women to matriculate or graduate until 1920). Show More Summary

This Week in Fonts

A contemporary family from Commercial Type, a connected script by Lián Types, an ambitious sans from Hoftype, a roughed up family by Fontfabric, a hard-working serif from House Industries, a sophisticated sans by Typetanic, a historical stencil face from Storm, and an expressive family by Andinistas. Show More Summary

The Questa Project

The three members of the Questa family The Questa Project is a type design adventure by Dutch type designers Jos Buivenga and Martin Majoor. Their collaboration began in 2010 using Buivenga’s initial sketches for a squarish Didot-like display typeface as a starting point. Show More Summary

Porson's Greek type design

Some types that were made by the punchcutter Richard Austin for use at the University Press at Cambridge in the first decade of the 19th century provided a model for most of the types that were used by British printers for printing Greek...Show More Summary

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