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The act of making: Ryan Wallace at Susan Inglett

Ryan Wallace’s paintings are shaggy collages, pieced together from canvas strips, screens, tiles, metallic tapes and found objects. His new work, on view at Susan Inglett through October 15, features the odd shapes of the light refractions that appear on the walls. Show More Summary

Neon and Narrative: Bushwick Open Studios 2016

Contributed by Debbi Kenote and Tyl Will  / Bushwick Open Studios 2016 erupted with color this year. Saturated gallery walls and odd street happenings drew crowds inside and out. Bogart Street and Johnson Avenue boasted full spectacle, with street installations and performances spilling out of the surrounding buildings. Show More Summary

Fixing Light and Shadow with Greys

One of the biggest problems I've seen with plein air painting students in my workshops (other than lack of drawing skills, as I mentioned in an earlier post) is learning how to see value before seeing color. Value is a tool we use to...Show More Summary

Sonya Blesofsky: Pursuing Past through Present

Contributed by Debbi Keynote / A recent decision to focus on the power of narrative has led me to the work of Sonya Blesofsky. Through conversation with the artist and observation of her practice, I’ve discovered a body of work that is both personal and  engaged with contemporary issues. Show More Summary

New geometries: Embracing narrative and content

Zombie Formalism–innocuous abstraction employing a pastiche of art-historical references and made to fulfill undiscriminating art market demand–has given abstract painting a bad name. Alex Baker offers a vibrant remedy. At Fleischer/Ollman...Show More Summary

How to Set Up a French Easel

Fall is a great time for taking a plein air workshop. If you're new to the experience and happen to have a French easel, there's no need to sign up for that gymnastics class to learn how to set one up. This short video should help. And...Show More Summary

Ideas and Influences: Stephen Truax

Ever since I’ve known artist-writer-curator Stephen Truax he has been in a state of what curator Anne Luther calls “hopeful doubt,” perpetually examining what painting and art might be in the 21st century. On the occasion of “How Will I Know,” his first NYC solo show, Two Coats of Paint invited Truax to share some … read more... "Ideas and Influences: Stephen Truax"

Christopher Manning’s semblances and manipulations

Contributed by Laura Farrell / Through Christopher Manning’s current solo show “Everything as Perfect as it Seems,” the Fine Arts Gallery at Westchester Community College comes alive. The show wisely centers the manipulated Polaroids for which Manning is best known, and some 200 of these images line the gallery walls. Show More Summary

A lobby symposium: Federico, Haske, Loft, Osman, Porcaro & Saltz

The Standard Motors Building in Long Island City is home to a spacious lobby gallery, organized and maintained by Deborah Freedman and Marjorie VanDyke. Freedman and VanDyke, printmakers who operate VanDeb Editions in the same building...Show More Summary

The Importance of Drawing

Good drawing skills will help you with your painting -- even landscape painting. If you're a plein air painter, you might find this video helpful. --- Michael Chesley Johnson, AIS PSA MPAC PSNM

Allison Schulnik’s frenzied equestrian feminisms

Contributed by Torey Akers / Allison Schulnik’s current solo show at ZieherSmith, “Hoof II,” posits personal mythology as a material condition for world-building. Each heavily impastoed piece functions simultaneously as portal and detonation site, issuing a challenge to the institutional semantics framing femininity in contemporary art dialogue. Show More Summary

Katie Bell’s Miami breakthrough

Contributed by Rob Kaiser-Schatzlein /  Katie Bell‘s work, comprising scavenged construction debris, skirts the line between sculpture and assemblage. Bell combed Miami for a month to source the materials for “Backsplash,” her most recent solo show, which opened at Locust Projects September 10. Show More Summary

Sue Post: Intuitively chosen constraints

Contributed by Franklin Einspruch / Among several of my quixotic projects is to farm a heretofore neglected front yard for vegetables. It is, as they say, a work in progress. I am in charge of this project, and yet I am not. Much depends on my scant knowledge, my incomplete attention, my limited power to … read more... "Sue Post: Intuitively chosen constraints"

Quick study

This edition includes links to upcoming Open Studio dates, Clyfford Still’s pastels, the Miami art fair participant lists, Thornton Willis upstate, the gold toilet at the Guggenheim, the resurrection of Ginzel’s much-loved List, a review of Molly Crabapple’s show at Postmasters, George Bush’s new painting project, and more. Show More Summary

Art and film: Bruce Conner, escape artist

Contributed by Jonathan Stevenson / Evident in the transfixing Bruce Conner retrospective “Bruce Conner: It’s All True” at MoMA is a probing eye that seeks out departure of one kind or another. Eclectic and countercultural, his rather...Show More Summary

Get Ready for Paint Sedona Plein Air Painting Workshops!

Painting the Red Rocks of Sedona If you've been following my blog, you'll have read nine rather long posts on my experience at the Grand Canyon Celebration of Art. I wanted to give you a feeling for what's it like to participate in a world-class event like that. Show More Summary

IRL: The Study Room at the Metropolitan Museum

Contributed by Kate Liebman / The Metropolitan Museum’s Department of Drawings and Prints is celebrating its centennial this year, and has devoted a wall to “one masterpiece” per week through April 30, 2017. This week’s masterpiece was a portrait of a church man drawn by Jean Fouquet in the mid-15th century. Show More Summary

Grand Canyon 2016 - Part 9

Sunday, September 18, 2016Saturday morning dawned with the canyon filled with a blue haze from the Fuller fire still smouldering on the North Rim. The artists I met during check-in for the Quick Draw all remarked on how lucky we were;...Show More Summary

Julie Torres’ dispatches from Hudson, part 2

As promised in part one earlier this week, Julie Torres has sent her second report from Hudson‘s thriving gallery scene. Julie was a longtime – and much-loved! – Brooklyn resident who recently moved upstate, and while we miss having her nearby, we’re itching to visit her new neighborhood for ourselves. Show More Summary

Grand Canyon 2016 - Part 8

Saturday, September 17, 2016I thought I’d take a moment to talk about my evolving palette. Many of you have asked what I use and if it changes from Maine to Arizona. Up until this week, I have used what is basically a split-primary palette. Show More Summary

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