|Filed Under:||Arts / Museums|
|Posts on Regator:||562|
|Posts / Week:||1.3|
|Archived Since:||April 5, 2008|
This post is part of an ongoing series on Eye Level: Q and Art, where American Art's Research department brings you interesting questions and answers about art and artists from our archive. This week: sculptor Viola Frey.
This year, the Luce Foundation Center marked the 10th anniversary of our opening. To celebrate, we're throwing a party on July 22 at our Luce Unplugged Community Showcase with musical performances by PraxisCat and Big Hush.
SAAM's annual birthday celebration honoring the legacy of media pioneer Nam June Paik—an artist known for his interest in robotics and humanizing technology—featured artists Lilla LoCurto and Bill Outcault. Their work, the three-foot tall the willful marionette was built from 3-D scanned images of a human figure. Show More Summary
On Saturday, July 9, SAAM presented America Now: America Particpates, an opportunity to incorporate creativity with citizen democracy through art, music, storytelling, and service.
Shortly after its release, colleagues began playing Pokémon Go —an augmented reality game that has captured the imagination of the entire internet. Museum visitors were doing the same. At the Smithsonian American Art Museum, new games are often received with more enthusiasm than might be expected of an art museum. Show More Summary
Each month, we partner with our neighbors up the street at Flashpoint Gallery to present our local artist talk series. This month, Kathryn Lynch Thibault joins us to talk about her most recent exhibition and works that inspire her in our Luce Foundation Center. Show More Summary
The final program in the WONDER series of artist talks featured Gabriel Dawe in conversation with Nora Atkinson, the Lloyd Herman Curator of Craft at the Renwick Gallery. Dawe's Plexus A1, one of the nine room-filling installations commissioned for the exhibition, spins a new riff on the theme of alchemy: it turns thread into light.
The Renwick's reinstallation of more than eighty objects from its permanent collection—Connections: Contemporary Craft at the Renwick Gallery—brings together artists working in media as diverse as vinyl, denim, quartz, and glass.
In honor of the current exhibition "The Art of Romaine Brooks," eminent scholars Cassandra Langer, Sylvia Kahan, and Helen Langa, joined SAAM's chief curator Virginia Mecklenburg, for a discussion that shed new light onto the artist's life and times.
For a decade, Duane Hanson's life-like sculpture Woman Eating has fascinated SAAM visitors. With funding provided by the Smithsonian's Women's Committee, conservators were able to research, examine, document, and treat this work for future generations to continue to enjoy.
Join us this Saturday, June 25 at 1:30 p.m. for the latest installment of our Luce Artist Talks series. This month's talk features mixed-media artist Anne Bouie, who strives to "express the universal themes of order, harmony, growth, beauty, and transcendence" in her work.
Romaine Brooks' Self-Portrait The paintings of Romaine Brooks have always made me want to learn more about the artist, ever since first seeing a selection of her work in the Renwick Gallery's Grand Salon in 2009, including her self-portrait and...
E. Carmen Ramos, curator of Latino Art at SAAM, was recently in Mexico to research her upcoming exhibition on the acclaimed 20th-century Mexican artist Rufino Tamayo’s lengthy residence and production in New York City. This is the sixth and final post Carmen scribed from the road. Show More Summary
What do artists Johannes Vermeer, Jean-Michel Basquiat, and Frida Kahlo all have in common? They are all featured in this summer's artist film program at SAAM.
"Everything you can do with a pencil you can do with a stick," artist Patrick Dougherty remarked the other evening at a talk in the Renwick's Grand Salon, as he likened his craft to the art of drawing.
"Martin Puryear: Multiple Dimensions," opening today at SAAM, is a homecoming for the artist, and the opportunity for us to take a deeper look at Puryear's career.
Photography has a way with time. Two works of art, both photographic series currently on view, speak to each other in a poignant dialogue without words. In the Lincoln Gallery, on SAAM's third floor, Nicholas Nixon's The Brown Sisters can be seen on the wall adjacent to Camilo José Vergara's series 10828 S. Show More Summary
For May's Handi-hour at the Renwick Gallery you'll start by making your own loom using scrap cardboard from all those Amazon boxes you have lying around.
The Smithsonian American Art Museum just acquired six major works by Bill Traylor, an artist who was born into slavery around 1853-54, and first began his creative life as an elderly man, after living and working primarily as a sharecropper.
It's time for another Luce Unplugged Community Showcase, and we couldn't be more excited to team up with Washington City Paper to present Beauty Pill, next Friday, May 20th from 6 to 8 p.m. If you aren't familiar with this beloved D.C. band, check out their 2015 album Beauty Pill Describes Things as They Are.