|Filed Under:||Entertainment / Books|
|Posts on Regator:||8818|
|Posts / Week:||26.5|
|Archived Since:||February 11, 2009|
Is Hanya Yanagihara’s A Little Life a Great American Gay Novel? According to Garth Greenwell, the book — which came out in March — is one of the most ambitious gay novels to come out in years. At The Atlantic, he makes a case that the book is a classic of its kind. You could […]
Lots of publications — The Millions included — have tackled the differences between reading e-books and physical books. It’s hard to know just what these differences mean for the future of literature. In the Chicago Tribune, John Warner proposes a novel argument (registration required) for why physical books will live on.
The weekly ritual of mowing, of men and women walking their property like mechanical monks, is fodder for literature.
Out this week: Saint Mazie by Jami Attenberg; Muse by Jonathan Galassi; The Diver’s Clothes Lie Empty by Vendela Vida; Eight Hundred Grapes by Laura Dave; The Unfortunates by Sophie McManus; The Sunlit Night by Rebecca Dinerstein; A Head Full of Ghosts by Paul Tremblay; I’d Walk with My Friends If I Could Find Them […]
Your inner monologue is whip-smart. You can’t imagine life outside Manhattan. You’ve had multiple husbands, all of whom left you for other women. Is it possible you’re in a Grace Paley story?
Recommended Reading: Helen Vendler on John Berryman. You could also read Stephen Akey on Berryman’s collection The Dream Songs.
It’s been seventeen years since Judy Blume published a book for adult readers. Her latest, In the Unlikely Event, brings that streak to an end. In the Times, Caroline Leavitt reviews her new book, which depicts a small town in the fifties reeling in the wake of three consecutive plane crashes. FYI, our own Lydia Kiesling […]
As an Editor-at-Large at Interview Magazine, Christopher Bollen has talked with everyone from Joan Didion to Renata Adler to Michael Stipe. Last Friday, he became an interview subject himself, sitting down with Tom Barbash at Salon to talk about his new novel, Orient. Sample quote: “I know I’m supposed to have the young characters constantly on Snapchat and […]
Can every writer be a Nicholson Baker? Can every athlete be an Isiah Thomas? I don’t know. But what I can say is that in both the athletic and literary worlds, interested parties find themselves asking whether the ratio for a successful career skews more toward aptitude or labor.
“Wallace’s fiction contains enormous cruelty: rape, animal torture, child abuse, the severe and perhaps fatal burning of a baby. Relationships are fractured, parasitic, and often the cause for psychic pain and disturbance; sex is furtive or coercive…. But it is also a deeply moral body of work. Its difficulties, and many of its cruelties, exist […]
Recommended reading: Jonathan Russell Clark, who’s written for us many, many times before, considers “The Eternal Mystery of the Reclusive Writer” for Literary Hub.
Have a short story manuscript and you’re not sure where to send it? BOMB Magazine‘s Biennial Fiction Contest, judged by Sheila Heti (who wrote How Should a Person Be? and was interviewed by The Millions here), is accepting submissions until the end of the month.
“Is it possible to keep an octopus in a private home?” “Are Plato, Aristotle, and Socrates the same person?” Oh, the things people have asked reference librarians.
Recommended viewing: a trailer for the upcoming David Foster Wallace movie, an adaptation of David Lipsky‘s memoir of his road-trip with the author, Although of Course You End Up Becoming Yourself, is now available online.
Loving Day is an entry in a small but vital subgenre: the Comic Mulatto Novel.
This week in book-related infographics that are also, as an added bonus, interactive: “A Google Map of All Your Favorite Books,” via Electric Literature.
Ever since her Wolf Hall novels hit the stage, people keep asking Hilary Mantel what it’s like to have her characters come to life. She answers them with the question, “When were they dead?“
Fact: 4 percent of books are written by secret government agencies, while a full.5 percent are authored by helpful elves. How do we know? The New Yorker said so.
We know that we became absorbed, that we experienced great pleasure in watching, and that we couldn’t wait for each new season to begin. We know, or feel at least, that we have participated in something significant, a cultural moment. But what I want to know now, or try to know, is this: Is it art?
Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.