|Posts on Regator:||17176|
|Posts / Week:||49.4|
|Archived Since:||February 16, 2011|
In Possession, Jaye Schlesinger displays the small-scale oil paintings she made for each of the 380 objects she decided to keep. The post After Purging Her Possessions, an Artist Paints What Remained appeared first on Hyperallergic.
A Paixão de JL, screening this week at the New School, gathers the tapes José Leonilson recorded during the last three years of his life. The post A Film Gathers a Beloved Brazilian Artist’s Intimate Audio Diaries appeared first on Hyperallergic.
Rarely can one see so many internationally recognized artists working under the same roof in Manhattan. The post The Elizabeth Foundation for the Arts Welcomes Visitors to its Open Studios, October 19–21 appeared first on Hyperaller...
The World Monuments Fund announced the 2018 World Monuments Watch, listing 25 sites, from the hurricane-hit Caribbean to modernist architecture in India. The post US Civil Rights Sites and Aleppo’s Old Souk Among 25 Threatened Places Around the World appeared first on Hyperallergic.
Chilean electronic-music composer Nicolas Jaar's project feels like a cross between an art experience and solving a book of logic puzzles. The post An Experimental Book Tests Our Ability to Perceive Multiple Mediums Simultaneously appeared first on Hyperallergic.
Dozens of people interrupted James Cohan Gallery's Sunday hours to demand that the gallery and artist take down what the protesters see as "racist aggression towards the community of Chinatown." The post Chinatown Art Brigade Protests Omer Fast’s “Racist” Exhibition at James Cohan Gallery appeared first on Hyperallergic.
At Doclisboa, a comprehensive look at Vera Chytilová's incisive critiques of gender, family, and love. The post A Czech Filmmaker Who Portrayed Eastern Bloc Life Through Women’s Eyes appeared first on Hyperallergic.
The Bowdoin College Museum of Art is exhibiting memento mori objects from Renaissance Europe, often grotesquely designed to startle viewers into recognizing mortality. The post Luxurious, Terrifying Visions of Death in Renaissance Memento Mori appeared first on Hyperallergic.
Sometimes we all have a cross to bear. The post Stieglitz in the Streets, O’Keeffe in the Sheets appeared first on Hyperallergic.
Students take part in five installations, learning best practices in professional exhibition. The post The Central Role Student Exhibitions Play in VCFA’s MFA in Visual Art Program appeared first on Hyperallergic.
#AbolishTheEntrada is a demand to end the Entrada, an annual costumed reenactment of the colonial reconquest of Santa Fe by General Don Diego de Vargas in 1692. The post A Santa Fe Community Battles to End a Colonialist Reenactment appeared first on Hyperallergic.
This week, Eero Saarinen in Michigan, rare Tiffany glass in LA, the biggest question artist face today, LGBTQ history of St. Louis, Eminem takes down President Trump in rap, and more. The post Required Reading appeared first on Hyperallergic.
For a writer whose life was so enmeshed with the experiences of being seen and talked about, Acker never truly established a fixed identity outside of language. The post Revolutionizing the Erotics of Writing appeared first on Hyperallergic.
The key to Miyamoto’s work is repetition that never becomes routine, no matter how mechanical the process might seem. The post The Incessant Art of Kazuko Miyamoto appeared first on Hyperallergic.
Twitter, in the hands of Trump and the Republicans, is a way of postulating speculative fictions, — the worries and woes of possible future perfects. The post Future Dread appeared first on Hyperallergic.
Artistically, Oakley was the American counterpart of a British Pre-Raphaelite, but in terms of her social arrangements, she was decidedly a New Woman. The post The Exceptional Life and Political Art of Violet Oakley appeared first on Hyperallergic.
Diana Al-Hadid is a cherished former student who is moving beyond talent into something much deeper and riskier, what Emerson called “the science of the real.” The post The Past and Present of a Syrian-American Artist appeared first on Hyperallergic.
Eliminating portraiture from her paintings and compressing the pictorial plane have allowed Holly Coulis to be more idiosyncratic, playful, convincing, and even funny. The post A Playful Take on the Still Life appeared first on Hyperallergic.
Berran’s new paintings manifest an arresting, congenial gregariousness — while also showing their fangs. The post Swarming Geometry, Floral Colors, and Technological Space appeared first on Hyperallergic.
The Guggenheim Museum’s Art and China after 1989: Theater of the World presents the conceptual and performance practices that brought Chinese artists into the discourse of global contemporary art. The post The Turbulent History of Global Chinese Art appeared first on Hyperallergic.