Blog Profile / Two Coats of Paint

Filed Under:Arts / Painting
Posts on Regator:1134
Posts / Week:3.6
Archived Since:February 16, 2011

Blog Post Archive

Lucio Fontana’s ghost: Amy Feldman, Maximilian Schubert, Alan Wiener at 11R

In 1947, Lucio Fontana (Italy, 1988-1968) launched the Movimento Spaziale in Italy. The movement was primarily concerned with the utilization of neon, radio, television to make innovative art, but Fontana’s investigation also led to a series of monochromatic canvases that he slashed with razor cuts. Show More Summary

Hilma af Klint at Serpentine Gallery: Sustenance and Possibility

Contributed by Barbara Campbell Thomas / I first laid eyes on the work of Hilma af Klint (Stockholm, 1862-1944) in 1999, while an MFA student at the University of California at Berkeley. Towards the end of a particularly fruitful studio visit, that day’s visiting artist gifted gave me with a copy of the catalogue for … read more... Show More Summary

Meet the new Bob Ross: Clara Lieu and ART PROF

I recently received an email from Clara Lieu, an adjunct professor in the Illustration program at RISD. Lieu has partnered with Thomas Lerra, a manager at WGBH Digital in Boston, to produce ART PROF: Visual Art Essentials, a video series aimed at teaching traditional art making skills to high school students. Show More Summary

Quick study

This week: Summer reading, teaching update (Parsons in the fall), Trump art, gallery closings, Picabia retrospective, and a visit to Cape Cod… Trump the muse In New York magazine: Artists Nir Hod, Illma Gore, Eric Yahnker, Rob Pruit, Jim Torok (image above), and William Powhida are making Trump art. Show More Summary

Conversation: Jennifer Coates and EJ Hauser at PAFA

Jennifer Coates paints food–fast food, junk food–anything easy to make and portable. On the occasion of “Carb Load,” her compelling solo exhibition at the Pennsylvania Academy of the Fine Arts (her alma mater), Coates met with EJ Hauser,...Show More Summary

Last chance: Joanne Greenbaum’s glorious starts and fits

Contributed by Jonathan Stevenson / The sheer ebullience and playfulness of Joanne Greenbaum’s big untitled abstract paintings, on display only through July 1 at Rachel Uffner on the Lower East Side, initially obscure the artist’s sharp and systematic attention to her own process. Show More Summary

Collaboration: Archie Rand and Bill Berkson

Before poet and art critic Bill Berkson died earlier this month, he had been collaborating with artist Archie Rand on a re-working of “Room Tone,” a poem from Berkson’s 2014 volume Expect Delays, published by Coffee House Press. “Each line of the poem is given a visual matrix that produces a synapse,” Rand explained in … read more... Show More Summary

Neighbors: Marci MacGuffie @ 55 Washington

For artists who spend long hours working alone in the studio, the conversations that take place in the hallway with other artists are crucial. For the past 18 months, I’ve been fortunate to share my hallway with Marci MacGuffie, an artist known for her large-scale installations and participatory projects. Show More Summary

Men curating women

Last week “The Female Gaze, Part 2: Women Look At Men,” an exhibition that includes many rich and inventive paintings, opened at Cheim and Read. The first edition, “The Female Gaze: Women Look at Women,” took place in 2009, and the new installment, featuring work by 32 women who depict men, focuses on gender and … read more... "Men curating women"

Men curating women

Last week "The Female Gaze, Part 2: Women Look At Men," an exhibition that includes many rich and inventive paintings, opened at Cheim and Read. The first edition, "The Female Gaze: Women Look at Women," took place in 2009, and the new installment, featuring work by 32 women who depict men, focuses on gender and sexuality. Show More Summary

Studio visit with Greg Drasler

Visiting an artist's studio before a new body of work is packed and shipped off for a solo show can be a stirring experience. The artist is anxious, perhaps, but by the same token brimming with anticipation and eager to discuss the new paintings and explain the process and ideas behind the work. Show More Summary

Street Smarts: Charles Goldman at Songs For Presidents

Guest Contributor Mary Addison Hackett / I went to graduate school in Chicago with Charles Goldman and still remember one of the first pieces he showed at a crit. It was a thin red line cut from paper, crossing the gallery floor. If I recall correctly, it represented the interstate highway he had driven from his home town of San Francisco to Chicago. Show More Summary

Quick study

This week: Coney Art Walls, job postings, Art Basel report, painterly photographs, residency news from Sharpe Walentas and the Elizabeth Foundation Studio Program (residents announced and juries revealed), a new residency program inShow More Summary

Nicole Eisenman and the triumph of painting

Contributed by Jonathan Stevenson / Just about every piece in Nicole Eisenman’s nobly minatory exhibition “Al-ugh-ories” at the New Museum, up through June 26, pulses with aesthetic energy, turbocharged by a peripatetic erudition that darts assuredly from one caustic historical (sometimes art-historical) reference point to another. Show More Summary

Chicago: Adam Scott at Julius Caesar

Contributed by Robin Dluzen / Adam Scott’s latest exhibition, "Silent Running" at Julius Caesar in Chicago, is a kind of Helen-Frankenthaler-color-field-painting-meets-Gram-Parsons-desert-pilgrimage experience. The works are arguably Scott’s most pared-down and abstract to date, devoid of all but a suggestion of the representational. Show More Summary

Rethinking Howard Hodgkin

For decades, Howard Hodgkin (b. 1932, London) has been known for turning his memories and experiences into brushy, colorful paintings on old wooden panels. He is a painter I'd always wanted to love, but I had never fully understood or been moved by his chunky brushwork and vivid color. Show More Summary

Storage or dumpster? Organizing the archives

Readers who have been following Two Coats of Paint since the beginning know that for ten years I taught at a state university in Connecticut and kept my studio in the attic of an old Victorian house in downtown Mystic. In 2010 I moved...Show More Summary

Installation view: Drishti, a concentrated gaze

Gallerist Elizabeth Heskin and artist Patricia Spergel, in collaboration with the NURTUREart Registry of Artists and Curators, have assembled a lively exhibition of contemporary abstraction at the 1285 Ave of the Americas Art Gallery. Show More Summary

Art and Film: Robert Cenedella’s legitimacy

Victor Kanefsky’s effervescent documentary Art Bastard casts 76-year old New York painter Robert Cenedella as a kind of aesthetic Robin Hood who robs from hallowed art tradition to give ordinary people bravura paintings that don’t require them to plumb art history or some other arcane discipline to appreciate. Show More Summary

David Rhodes: Events and incidents

I met David Rhodes (b. 1955, Manchester, UK) in a Greenwich Village loft where his black and white paintings, both large and small, leaned against walls and were propped on all bookshelves and tabletops. The three largest were aboutShow More Summary

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