|Filed Under:||Music / Classical|
|Posts on Regator:||403|
|Posts / Week:||1.5|
|Archived Since:||April 20, 2011|
An overambitious reimagining of Stravinsky’s ballet is only partly successful.
Local musical highlights have included “Magic Flute,” the pianist Ji, and a controversial NSO review.
My joint review/debate with Greg Sandow about “War Requiem” prompts us to solicit other opinions.
Conflict of interest prevents critic from reviewing “Lost Childhood” opera -- what did you think of the show?
Highlights of DC’s classical concerts from the past week: Chris Thile on mandolin, Cappella Romana sings
Amira Willighagen, 9, is new viral sensation; same aria won renown for 10-year-old Jackie Evancho
The second cast of “Force of Destiny” at the Washington National Opera was miles better than the first.
Nico Muhly’s new internet opera “Two Boys” at the Met tries to touch all bases, but fails to touch the heart.
The new tour now at the Kennedy Center is an exuberant memorial to the decline of taste.
An enchanting rarity at Wolf Trap, “L’Opera Seria” spoofs the art form, and is very funny.
Company directors discuss the lasting effects of the Met’s broadcasts.
Technology chronicles performances, but may cut into audiences paying for the real thing.
If stars and popular programming can’t draw crowds to an orchestra concert, what can?
A Phillips Collection exhibit does the artist justice, for better and worse.
David Gockley has been a leading figure in American opera for four decades. As he prepares to step down from the San Francisco Opera, he shares his thoughts on the field with Anne Midgette.
The League of American Orchestras conference and NOI are thinking about music’s future.
Two critics analyze the Wolf Trap Opera’s “The Rape of Lucretia.”
A cornerstone of Washington’s music community is suddenly gone.
The American premiere of a 1769 work is a highlight at the Wolf Trap Opera.
Leila Josefowicz brings Salonen concerto to the NSO.