“Why are we picking at these carcasses of creativity?” Holly Finn asks in a recent Wall Street Journal article, pointing her critical finger at the particular corpse of Damien Hirst’s creative corpus currently on show at the Tate Modern. “We should instead be celebrating the really new and relevant: the rise of the data visualizers. Their medium is the one with momentum, the one genuinely changing how we think and feel.
Damien Hirst calls art "world's greatest currency" in a playful response to recent criticism that called his art "worthless financially." Read Post
Many colleagues in the fields of creative arts therapies were sad to read Oliver Sacks’ recent and poignant essay in the Op-Ed section of The New York Times about the return of his cancer and his thoughts about death. And here's w... Read Post