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The Never-Ending, Four-Color Festival: Shows And Events

By Tom Spurgeon The Beat covers some sort of rejected display art controversy at NYCC. NYCC articles are always interesting to me because they always make the con seem more horrible, without really trying to. It almost seems quaint to even hint that something like this could 1 percent be seen as having a free-speech element, when the whole thing is crafted around maximizing a specific commercial atmosphere.
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