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Human Eyes Might Not Notice a Good Forgery, But Computers Could

Claude Monet's San Giorgio Maggiore at Dusk, painted in 1908. (Photo: Public Domain) On any given day in a lab in New Jersey, a humming machine traces the lines of a hand-drawn image: a woman’s face drawn by Matisse. The machine highlights each new line it sees, recording and cataloging its thickness, shape, and the artist it was created by. But the computer isn’t merely scanning the image, it’s learning.
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