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Danny Elfman on scoring 'The Girl on the Train': The darker it gets, the happier I get

Depending on the day, Danny Elfman may sound more like Jack Skellington at the outset of Tim Burton’s 1993 goth fantasia “The Nightmare Before Christmas,” singing a weary lament. Or he might sound like Jack after his Christmas debacle — rejuvenated and happy. “I’m the eternal pessimist,” Elfman,...
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