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Coming Distractions: Dads are just as embarrassing in German in the Toni Erdmann trailer

How could a movie that, on its surface, bears certain similarities to an Adam Sandler movie—That’s My Boy, to be precise—also be one of the most critically acclaimed films of the year? That’s the intriguing question posed by Toni Erdmann, which premiered at Cannes earlier this year. At that festival, The A.V. Club’s Mike D’Angelo gave it an “A,” calling it “sublime” and saying director Maren Ade “begins with a fairly simple dynamic and then proceeds to tease out every possible facet, taking her characters to truly unexpected places and ending on a note of disarming irresolution.
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