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“Mirzya”… A major misfire… But for a while, a fascinating formal experiment

Spoilers ahead… Something about star-crossed lovers nudges our filmmakers towards formal experiments. Chetan Anand’s Heer Ranjha is entirely in exquisite verse. Sanjay Leela Bhansali’s Saawariya, itself containing a lot of spoken verse, seals itself from natural light and the outside world – it’s shot entirely on doomed-fairy-tale sets painted in colours of the night. Rakeysh […]
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