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The Accountant

“How can you make a financial intrigue thriller more exciting than average?” You can almost hear screenwriter Bill Dubuque ask that question and then crack his knuckles during the opening minutes of “The Accountant.” Said opening minutes, directed with customary nose-to-the-grindstone conviction by Gavin O’Connor, feature a strange scene of an urban mob massacre, tinged in sepia and boasting a lot of faux-celluloid graininess, to imply “period grit.
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