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Nagasaki the musical? The label bringing West End disasters back to life

Whether finding those responsible for putting Jack the Ripper onstage or unearthing early work by Jeff Wayne and Tim Rice, Stage Door’s reissues are worth making a song and dance about ‘One critic described it as ‘a real gold-plated stinker’,” says Tim Hutton. “Another called it ‘three hours of non-musical torture’.” It’s a bright August morning in Kent and the 32-year-old producer and record company boss is reading from the glossy eight-page booklet that accompanies one of his label’s singular releases.
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