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Worst Case Scenario: A.L. Steiner’s Apocalyptic “30 Days of Mo:)rning”

What a difference two weeks make. I was ready to write-off A. L. Steiner’s current exhibition 30 Days of Mo:)rning at Koenig & Clinton as an overly ambitious mess after my initial visit. But on second viewing, the show, which Steiner adds to daily, presents an effective elegy to our seemingly doomed contemporary society. Much of the success of Steiner’s exhibition has to do with its thematic relevancy.
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