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It’s tempting to criticize George Clooney’s “Suburbicon” as two films that never quite coalesce into one complete whole, which is partially true. But that might give the impression that either film works on their own, which is false. This startling misfire is a tonal disaster from start to finish, whether residing in the dark comedy that retains echoes of the Coen brothers’ original script or in the more earnestly inspirational true story of a black family who gets run out of white America.
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