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Psychic Overload in Joachim Trier’s Thelma

Thelma is pretty much the Worst X-Man ever. by Robert Ham M uch like Jordan Peele folded acidic commentary and comedy into the shocks and dread of Get Out, Joachim Trier’s fourth feature, Thelma, is a lot more than it appears: as a thriller about a young woman with kinetic abilities. On the surface, Thelma’s plot revolves around the plight of the titular character (played with the wet-eyed timidity of a lost fawn by Eili Harboe) and her realization of what her powerful mind is capable of.
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