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Feature: 2017: Favorite Cover Art

A bsurdity’s dead, and we, the citizens of the digital sphere, killed it. What good is Pynchon when our president’s penning a postmodern novel in real time, weaving all-caps interjections and sporadic entanglements with B- and C-list celebrities into his fragmented Twitter narrative? Does James Ferraro’s work still spark the imagination like it did in a world before real-time ridesharing startups founded their own cryptocurrencies in order to eliminate tipping in the service industry? Do vaporwave’s neo-classical busts feel that lifeless among the animated emojis we use as virtual masks? Even the most surreal, depraved nooks and crannies of the internet feel like home.
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