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The Prescient, Essential Film Criticism of Harry Alan Potamkin

Richard Brody writes about the film criticism of Harry Alan Potamkin.
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“The Rape of Recy Taylor”: An Essential, Flawed Documentary at the New York Film Festival

Academics / General Science : The New Yorker: Science and Tech

Richard Brody reviews Nancy Buirski’s documentary film “The Rape of Recy Taylor,” which reconstructs events from the abduction and rape, in 1944, of a young black woman in rural Alabama.

How “Paris, Texas” Sold Harry Dean Stanton Short

Academics / General Science : The New Yorker: Science and Tech

Richard Brody on how the actor Harry Dean Stanton’s role in “Paris, Texas” colored the rest of his career, including his role in “Lucky,” his final film.

Literature’s Great Unmade Movies

News : The New Yorker: News

“Shakespeare is still a better screenwriter than Herman Mankiewicz,” Richard Brody writes in his post about the risks and rewards directors face when adapting great books. Brody not only discusses Orson Welles’s films of Shakespeare...

Real Moviegoers Don’t Care About Rotten Tomatoes

News : The New Yorker: News

Richard Brody writes about a recent essay by Martin Scorsese in The Hollywood Reporter and about the state of filmmaking and film criticism today.

Richard Brody’s ‘The Girlfriend Experience’ Rant is Film Snobbery at Its Worst

Society & Culture : Flavorwire

Over at The New Yorker, film critic Richard Brody has seen all 13 episodes of the new Starz original drama The Girlfriend Experience — and has concluded that what’s holding back this six-hour narrative is the “the rigid format of se...


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