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Berlin 2018: "Tower. A Bright Day."

To anyone following Polish cinema of the past few years, it is quite apparent that its undeniably fresh tone is (almost exclusively) due to a steadily emerging array of debuting directors: most in their early thirties and offering surprisingly confident voices in their very first features. While Agnieszka Smoczy?ska's vampire-mermaid vintage-disco musical “The Lure” may still be the biggest international success in that group (recently canonized by the Criterion Collection and sporting a global fandom as select as it is devoted), it may well be that the upcoming Berlinale Forum premiere of Jagoda Szelc’s “Tower.
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